He’s Tubosun
Odunsi, a renowned artiste, movie
practitioner of repute whose track records and career transition in the
movie
world have spanned a golden age. The veteran actor of sterling
qualities,
according to his words does not accept any script that would mar his
image
regardless of the fee involve. He recently spoke with Enquirer’s Faith
Irabor
about his career, life and other sundry issues. Excerpts
Can you remember
precisely when you started acting sir?
I started acting
in the year 1955 with one Syncopation Orchestra led by Chief Olayeni.
Many
people believe that I started with Ogunde, no! I started with Chief
Olayeni. He
lived at Apapa road near the Fire Station then. He had his hotel there. I
could
remember there was a time a cow with five legs was brought to Lagos, it
was in
his hotel people were paying ticket to watch it. It was that cow I went
to see
that I met them rehearsing a play, coincidentally and eventually, this
play was
brought to our church at Jehovah Jireh African Church. And in that play
titled,
Queen Shebba Meets Solomon, a young chap had to give a gift to Queen
Shebba, so
I was chosen to be that boy giving gift to Queen Shebba and I was given a
T-shirt that day. I was so small then, very tiny in stature. That was
how I
developed interest in it. After my secondary school days, I worked with
West
Africa Thread Company in Apapa where they were making T-Shirts
(singlets) and
so on. But then the quest for theatre was very deep in me. I was doing
it
part-time but I later discovered that Chief ‘Layeni was a “Lagos rat,”
so you
wouldn’t travel outside Lagos. Later I heard that Pa Ogunde was
travelling all
over the country and that made me switch over to Pa Ogunde.
Can you tell us why people often refer to you as Idaamu Paadi Mukailu?
Alagba Adebayo
Faleti wrote the book, Idaamu Paadi Mukailu and I acted
it on the television, the then WNTV/WNBS. We took Idaamu Paadi
Mukailu out
to all parts of the country, including some parts in West Africa like
Accra in
Ghana, Cotonou and so on. It was there I derived the name — Idaamu Paadi
Mukailu. So, people have since been calling me Paadi, Paadi.
I must commend
your acting skills especially easy flow of tears considering your age,
what
would you want to attribute this to?
(Laughs), thanks
my dear, I would answer that question by defining who a real artiste is.
An
artiste is that somebody who can fit into a role at any point in time,
someone
that can be at his best at all given time, that can interpret any
character
very well, having said that, it’s not everybody, not every actor put
together
male or female that could fall into that character, it depends on their
trainings but all the same I bless God for giving me the strength to be
good at
what I love doing. The moment you give me a role to interpret and that
is
exactly what the role demands, I would immediately put myself into the
character because I am like a porter in the hands of the clay. If
you give me a role of a messenger, I have
to behave as a real messenger regardless of my age, you give me role as a
king,
and you want to see the king really happy, I have to bring in the
happiness of
a king. You know the happiness of a king is quite different from the
happiness
of his subordinates; you just have to come into that character. If you
have not
actually brought out the real character, then you are not yet an
artiste.
How do you choose
your scripts, I mean what
determines the kind of roles you play in the movie, is it the money or
the
character you are playing, what really motivates your acceptance?
That depends on the producer, the
producer knows who plays a particular role, if you want a king, a
lawyer, a
judge, a mechanic, you determines who can interpret that character and
you call
the person in, acting for me is not for the money, sometimes the money
is not
even the thing we are talking about but the real person who can actually
interpret the character.
Have
you ever rejected a script?
Yes I have.
What
was the basis?
When I see a script
and am not feeling
the story, I reject it not minding the fee involved because I believe a
wrong
script can mar my image.
Not
much has been heard about your family, I mean your wife and children?
They are all around and are doing fine.
Where
is your wife?
She is in my house, am taking care of
her, (laughs)
Where?
In Ibadan.
How
many children do you have and how old is the eldest?
Like the Yoruba adage will say, you
don’t count children but I have men and women and the oldest is about 41
now
and they are almost all gone am left with my wife.
Is
there anyone of them towing your part?
No, except for my last born a female,
but she is not actually in the movie industry. She studied Mass
Communication
and likes the art world.
As
an elder in the industry, are there issues you would like to address?
Yeah, there are lots of challenges.
First is the kind of scripts we write these days, I want us to look at
our
scripts and bring them down more towards our culture so that we don’t
allow
outsiders to misconstrue our image, sometimes we misrepresent our
culture.
Bringing the western culture into our movie is really diluting the
originality
of the culture. This is one thing that often gives me concern.
Ok,
so what are you also doing to correct that?
By the grace of God we are doing a lot,
making all arrangements for our people to bring out our culture in every
production as an elder in the system and that is why I sometimes do not
hesitate
to reject scripts when they are not passing the right messages across, I
would
not say more than that.
Do
you see yourself retiring soon and how old are you?
Honestly maybe soon, am in my early
sixties.
What
month are you?
I was born in the
Month of July.
What’s
your favorite meal?
Iyan (pounded yam) (laughs)
Where
are you from?
I am from Aworiland
in Ogun State.
What
movie would you consider your best so far?
You people watching would be the one to
say, because when you give me a role to play I will put in my best, if
another person
gives me another role, I will also put
in my best and this time it may even be
better than the previous one.
What
about your most challenging role?
I honestly don’t have any yet (laughs).
There
are crises in the ANTP, what are you as an elder doing to resolve these
issues?
(Sighs)We are
trying our best solution
that will resolve it.
Who
is the ANTP president?
We don’t have any president at the
moment and that’s the truth but Jide Kosoko is the outgoing president.
Can
you mention few of the movies you’ve produced?
I have tried some, EJO N’GBORO,
AY’ORUNBO, and OGUN
ABELE.
What
advice do you have for the upcoming ones?
My advice goes to the so called upcoming
producers who are not ready to do things the way it’s supposed to be
done. They
should first get trained for the purpose and stop entering through the
window.
You shouldn’t try to enter through the window, they should enter through
the
right channel that is get trained. Those who have gone through training
when
you see them and their works you would see the different.
Can
you cite any example?
My daughter, when you see a good movie,
you don’t need to be told, I won’t mention names here but good producers
are
not much but identified by their works.
What
message do you have for your fans?
I want them to support us in our
struggles, make sure they don’t patronize pirates, and get the real
thing from
the real people.
It’s
being nice chatting with you?
Thanks.
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